{"id":69,"date":"2018-10-01T22:07:18","date_gmt":"2018-10-01T20:07:18","guid":{"rendered":"http:\/\/luftartistin.de\/en\/?page_id=69"},"modified":"2021-07-26T12:52:42","modified_gmt":"2021-07-26T10:52:42","slug":"first-sorrow-circus-trilogy-kafka","status":"publish","type":"page","link":"https:\/\/luftartistin.de\/en\/air-artist\/first-sorrow-circus-trilogy-kafka\/","title":{"rendered":"zirka trollop &#8211; Circus Trilogy after Kafka"},"content":{"rendered":"<div id=\"pl-69\"  class=\"panel-layout\" ><div id=\"pg-69-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-69-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-69-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\"><h3 class=\"widget-title\">Summary - Information about the piece<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_2330\" style=\"width: 310px\" class=\"wp-caption alignright\"><img aria-describedby=\"caption-attachment-2330\" loading=\"lazy\" class=\"wp-image-2330\" src=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2016\/11\/160717-1533-45547908.jpg\" width=\"300\" height=\"450\" \/><p id=\"caption-attachment-2330\" class=\"wp-caption-text\">The Trapeze Artist<\/p><\/div>\n<p>In theater behind the scenes one finds a different world: There are many challenges for the manager to master \u2013 not least that the stage hand has desperately fallen in love, and that the trapeze artist will not ever leave her trapeze...<br \/>\nAnja Gessenhardt und Jana Korb are commited to circus theater \u2013 in zirka trollop they combine literature and acting with acrobatics and aerialarts. With Kafka's parable of the trapeze artist and her manager they go on a journey through emotions, between theater and circus, between comedy and drama.<br \/>\nAcrobatic lecture, on chinese pole, and on the trapeze.<br \/>\nFree after Kafka - existential and yet humorous.<\/p>\n<h3>Versions<\/h3>\n<p><strong>Trilogy - Duett - Aerial theater, acrobatic lecture and Chinese pole<\/strong> (70min.), in German, English etc.<br \/>\nFor theaters or open air with trapeze rig \/ Chinese pole<\/p>\n<p>All three scenes can also be performed separately:<\/p>\n<p><strong>Aerial theater - Solo on fix trapeze<\/strong> (35min.), in German, Czech, English, Portuguese etc.<br \/>\nFor theaters or open air with trapeze rig<\/p>\n<p><strong>Acrobatic lecture - Duett<\/strong> (12min.), in German, English etc.<\/p>\n<p><strong>Chinese pole - Solo<\/strong> (30min.), without words<br \/>\nFor theaters or open air with outdoor pole<\/p>\n<p><a href=\"http:\/\/luftartistin.de\/en\/air-artist\/first-sorrow-circus-trilogy-kafka\/#technik\">&gt;&gt; Technical\u00a0requirements<\/a><br \/>\n&gt;&gt;\u00a0Summary - PDF\u00a0download<br \/>\n<a href=\"http:\/\/luftartistin.de\/en\/wp-content\/uploads\/sites\/2\/2018\/10\/technik-kafka-outdoor-en.pdf\">&gt;&gt; Technical rider - PDF download<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-69-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-69-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-69-1-0-0\" class=\"so-panel widget widget_sow-video panel-first-child panel-last-child\" data-index=\"1\" ><div class=\"so-widget-sow-video so-widget-sow-video-base\">\n<div class=\"sow-video-wrapper\">\n\t\t<iframe title=\"Jana Korb + Anja Gessenhardt pr\u00e4sentieren: zirka trollop - Zirkustrilogie nach Kafka\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/4NzOtyCL1BY?feature=oembed&rel=0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-69-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-69-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-69-2-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_3951\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2016\/06\/nioclas-seeliger_zirkatrollop-03a.jpg\"><img aria-describedby=\"caption-attachment-3951\" loading=\"lazy\" class=\"size-medium wp-image-3951\" src=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2016\/06\/nioclas-seeliger_zirkatrollop-03a-300x200.jpg\" alt=\"Erstes Leid, Foto: Niocl\u00e1s Seeliger\" width=\"300\" height=\"200\" \/><\/a><p id=\"caption-attachment-3951\" class=\"wp-caption-text\">First Sorrow, Foto: Niocl\u00e1s Seeliger<\/p><\/div>\n<div id=\"attachment_3955\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2016\/06\/zirkatrollop-10.jpg\"><img aria-describedby=\"caption-attachment-3955\" loading=\"lazy\" class=\"size-medium wp-image-3955\" src=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2016\/06\/zirkatrollop-10-300x200.jpg\" alt=\"Erstes Leid, Foto: Niocl\u00e1s Seeliger\" width=\"300\" height=\"200\" \/><\/a><p id=\"caption-attachment-3955\" class=\"wp-caption-text\">First Sorrow, Foto: Niocl\u00e1s Seeliger<\/p><\/div>\n<div id=\"attachment_3954\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2016\/06\/jana-korb-by-nioclas-seeliger-02.jpg\"><img aria-describedby=\"caption-attachment-3954\" loading=\"lazy\" class=\"size-medium wp-image-3954\" src=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2016\/06\/jana-korb-by-nioclas-seeliger-02-300x200.jpg\" alt=\"Erstes Leid\/Die Trapezk\u00fcnstlerin, Foto: Niocl\u00e1s Seeliger\" width=\"300\" height=\"200\" \/><\/a><p id=\"caption-attachment-3954\" class=\"wp-caption-text\">First Sorrow\/The Trapeze Artist, Foto: Niocl\u00e1s Seeliger<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-69-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-69-2-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\"><h3 class=\"widget-title\">zirka trollop - Circus Trilogy after Kafka<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>zirka trollop consists of three parts, three times the same story, told from different perspectives. Three times narrative circus, solo or duett - feature-lenght program. Each part is whole in itself and can be performed as a short piece or show.<\/p>\n<p><strong>First act: Circus travels<br \/>\nA<\/strong><strong>crobatic lecture<\/strong><br \/>\n\"And so the manager succeeded in reassuring the trapeze artist, little by little, and was able to go back to her corner. But she herself was far from reassured; with deep uneasiness she kept glancing secretly at the trapeze artist over the top of her book.\"<\/p>\n<p>A grotesque lecture, in which both artists perform both characters of the trapeze artist and the impresaria. Performed without trapeze - but the audience will picture the trapeze nontheless...<\/p>\n<p>Acrobatic lecture, duett with Jana Korb and Anja Gessenhardt (ca. 12min)<\/p>\n<p><strong>Second act: The StageHand. Falling in Love.<br \/>\nAcrobatic theater on Chinese pole<\/strong><br \/>\n\"All her needs, very modest needs at that, were supplied by relays of attendants who watched from below and sent up and hauled down again in specially constructed containers whatever she required.\"<\/p>\n<p>Acrobatic theater on Chinese pole in the style of old silent movies \u2013 an homage to all workers behind the scenes, without whom our artistic work would not be possible.<\/p>\n<p>Chinese pole solo with Anja Gessenhardt (ca. 30min)<\/p>\n<p><strong>The Trapeze Artist - A Monologue from Above<br \/>\nA<\/strong><strong>erial theater<\/strong><br \/>\n\u201cOnly this one bar in my hands\u2014how can I live?\u201d<\/p>\n<p>With the circus literature by Franz Kafka and Jean Genet, Jana Korb examines the existential essence of aerial arts, the art of aerial arts. She explores the topic of circus in literature and brings it back as theatric performance into the circus. With narration as the starting point, she develops her own circus body language. It is about dependencies, intransigence, and everlasting temporary \u2013 high up on the trapeze.<\/p>\n<p>Aerial theater on solo trapeze (35min.), in German, Czech, English, Portuguese etc.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-69-3\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-69-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-69-3-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\"><h3 class=\"widget-title\">A long term research project<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Not only have I been working with Kafka's story \"First Sorrow\" for one specific production - the story has been accompanying me and my partner Anja Gessenahrdt since the beginnings of our circus arts career. For us, the story of the trapeze artist, living on her trapeze to become a better artist, has become a symbol for artistic creation - not just circus creation, but artistic creation in general. So I am not only interested in the kafkaesque storyline (existential, dark, and hopeless), but I rather examine the trapeze artist's urge to create.<\/p>\n<p>During our research process we created more than four different productions based on this story. I approach the topic from different sides: from the ground with our acrobalance duett, from the air on the trapeze, with and without text, from different points of view, and in long term performances of up to six hours on the trapeze (this was the most literal adaptation so far).<\/p>\n<p class=\"widget-title\">My most recent production, a trapeze solo of appr. 35min, is situated between choreographed circus performance, improvisation, and work with text. The figure of the trapeze artist is changing between theatrical character (I am acting as Kafkas's trapeze artist), narrator (I am telling the story of Kafka's trapeze artist), and myself (I am a trapeze artist). By this being-in-between I am trying to delicately approach those big topics of art, death, intransigence - without becoming theatrical or kitschy. I seek to create a fragile presence on the trapeze, transcending corporeal peak performance and circus archetype. I try to unhinge contemporary circus from its denotations \"Modern Man\", \"Progress\", and \"Conquering Nature\", thus finding new definitions.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-69-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-69-3-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"5\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_2848\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2017\/01\/20140331_2046_20140405_1967869154.jpg\"><img aria-describedby=\"caption-attachment-2848\" loading=\"lazy\" class=\"wp-image-2848 size-medium\" src=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2017\/01\/20140331_2046_20140405_1967869154-300x200.jpg\" alt=\"Die Trapezk\u00fcnstlerin, Foto: Vojtech Brtnicky\" width=\"300\" height=\"200\" \/><\/a><p id=\"caption-attachment-2848\" class=\"wp-caption-text\">Die Trapezk\u00fcnstlerin, Foto: Vojtech Brtnicky<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_2851\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2017\/01\/MG_6829.jpg\"><img aria-describedby=\"caption-attachment-2851\" loading=\"lazy\" class=\"wp-image-2851 size-medium\" src=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2017\/01\/MG_6829-300x200.jpg\" alt=\"_MG_6829\" width=\"300\" height=\"200\" \/><\/a><p id=\"caption-attachment-2851\" class=\"wp-caption-text\">Die Trapezk\u00fcnstlerin, Foto: Knockaert Fobe<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_2854\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2017\/01\/kl_J9A9293.jpg\"><img aria-describedby=\"caption-attachment-2854\" loading=\"lazy\" class=\"wp-image-2854 size-medium\" src=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2017\/01\/kl_J9A9293-300x200.jpg\" alt=\"kl_J9A9293\" width=\"300\" height=\"200\" \/><\/a><p id=\"caption-attachment-2854\" class=\"wp-caption-text\">Die Trapezk\u00fcnstlerin<\/p><\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-69-4\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-69-4-0\"  class=\"panel-grid-cell\" ><div id=\"panel-69-4-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"6\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_2853\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2017\/01\/kl-IMG_8643.jpg\"><img aria-describedby=\"caption-attachment-2853\" loading=\"lazy\" class=\"wp-image-2853 size-full\" src=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2017\/01\/kl-IMG_8643.jpg\" alt=\"Die Trapezk\u00fcnstlerin, \" width=\"300\" height=\"400\" \/><\/a><p id=\"caption-attachment-2853\" class=\"wp-caption-text\">Die Trapezk\u00fcnstlerin<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_2852\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2017\/01\/kl-kafka-janakorb-tobias-stiefel.jpg\"><img aria-describedby=\"caption-attachment-2852\" loading=\"lazy\" class=\"wp-image-2852 size-full\" src=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2017\/01\/kl-kafka-janakorb-tobias-stiefel.jpg\" alt=\"kl-kafka-janakorb-tobias-stiefel\" width=\"300\" height=\"422\" \/><\/a><p id=\"caption-attachment-2852\" class=\"wp-caption-text\">Die Trapezk\u00fcnstlerin, Foto: Tobias Stiefel<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-69-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-69-4-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"7\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\"><h3 class=\"widget-title\">Previous productions in this cycle<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>In the course of our almost 20 years of working with the story \"First Sorrow\" - by Franz Kafka, from his collection \"The Hunger Artist\" - we created and performed several performances and pieces. Here a selection:<\/p>\n<p><strong>Circus travels<\/strong><br \/>\nAcrobatic lecture<br \/>\nIdea and performance: Jana Korb and Anja Gessenhardt<br \/>\nPremiere 1999<br \/>\nAcrobalance, ca. 12min<br \/>\nGerman or English<\/p>\n<p><strong>The Grand Show<\/strong><br \/>\nCircus theater based on stories by Kafka, Genet, B\u00f6ll<br \/>\nIdea and performance: Jana Korb and Anja Gessenhardt<br \/>\nPremiere 2000<br \/>\nAcrobalance, physical theater, martial arts, ca. 45min<br \/>\nGerman<\/p>\n<p><strong>The Trapeze Artist<\/strong><br \/>\nFreak show performance<br \/>\nIdea: Friederike Berat und Jana Korb<br \/>\nPerformance: Jana Korb<br \/>\nPremiere 2010<br \/>\nTrapeze solo, long term performance (2-6 hours)<br \/>\nno words<\/p>\n<p><strong>The Trapeze Artist - A Monologue from Above<\/strong><br \/>\nAerial theater<br \/>\nPerformance: Jana Korb<br \/>\nDirector: Anja Gessenhardt<br \/>\nDramaturgical eyes: Julia Christ, Benjamin Richter<br \/>\nPremiere 2013, premiere street theater version 2016<br \/>\nTrapeze solo, ca. 35min<br \/>\nGerman, Czech, English, French, Portuguese, Dutch or other<\/p>\n<p><strong>zirka trollop - Circus Trilogy after Kafka<\/strong><br \/>\nCircus theater<br \/>\nPerformance: Jana Korb and Anja Gessenhardt<br \/>\nDramaturgy: Lena Fritschle<br \/>\nPremiere 2017<br \/>\nTrapeze solo, acrobalance, chinese pole, ca. 70min<br \/>\nGerman or English<\/p>\n<p><strong>HochZuhaus \u2013 Stories from a confined space<\/strong><br \/>\nAerial performance installation one on one<br \/>\nPerformance: Jana Korb<br \/>\nDirector: Anja Gessenhardt<br \/>\nPremiere 2021<br \/>\nTrapeze solo with audience interactions, 8 scenes \u00e1 ca. 10min<br \/>\nGerman, English, or Russian<br \/>\n<a class=\"wpsal-anchor\" name=\"technik\" id=\"technik\"><\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-69-5\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-69-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-69-5-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"8\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\"><h3 class=\"widget-title\">Credits<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>First Sorrow - Circus trilogy after Kafka<br \/>\nCircus theater\u00a0by and with Jana Korb and Anja Gessenhardt<br \/>\nca. 70min.<\/p>\n<p>Idea, performance: Jana Korb and Anja Gessenhardt<br \/>\nDramaturgy: Lena Fritschle<br \/>\n---<br \/>\nFirst part:<br \/>\nThe trapeze artist: Anja Gessenhardt<br \/>\nThe impresaria: Jana Korb<br \/>\n---<br \/>\nSecond part:<br \/>\nThe stage worker: Anja Gessenhardt<br \/>\nThe trapeze artist: Jana Korb<\/p>\n<p>Outside eye: Lionel Menard<br \/>\n---<br \/>\nThird part:<br \/>\nThe trapeze artist: Jana Korb<br \/>\nThe impresaria: Anja Gessenhardt<\/p>\n<p>Director: Anja Gessenhardt<br \/>\nDramaturgic counsel: Julia Christ<br \/>\nAdaptation for street theater: Benjamin Richter<br \/>\nProduction: Korb + Stiefel<\/p>\n<h3>Stage setup outdoor version<\/h3>\n<p>(for indoor version, please talk to us):<br \/>\nIdeally we have three stages around the audience. The audience is sitting on chairs or benches and has to turn their attention to whatever stage we perform on. Other setups are possible after consultation.<\/p>\n<p>Acrobatic Lecture<br \/>\nElevated Stage: 3m x 5m with appr. 1m elevation<br \/>\nHeight: min. 4m<br \/>\nFloor: even floor, ideally black<\/p>\n<p>Chinese Pole<br \/>\nGround: 6m x 6m, height: min. 5,50m<br \/>\nFloor: even floor<br \/>\nRigging: 3 rigging points or anchors on the ground (or close to the ground lower than 2m height) min. 5m away from the pole with min. 3,5kN \/ 350 kg working load per rigging point<br \/>\nPole: we bring our own pole and rigging material<br \/>\nSafety: round crash mat with hole in the middle for pole, diameter min. 2m, 20cm thick (or we bring our own)<\/p>\n<p>Aerial rig:<br \/>\nFree standing three legged pyramid<br \/>\nHeight: 8m<br \/>\nGround space: ca. 6m x 6m<br \/>\nGround space for setup: 6m x 16m<\/p>\n<p>Setup by\u00a0Jana Korb\u00a0and\u00a0team.<br \/>\nThe ground must be flat and even, free of equipment and obstacles. The aerial space must be free of obstacles, not closer than 2m.<\/p>\n<p>Setup: ca. 3h<br \/>\nTake down: ca. 2h<\/p>\n<p>Light:<br \/>\nIf performed in dusk or darkness we need:<br \/>\nBasic white light to illuminate the performance spaces, and a follow spot. For the trapeze it is important for most of the scene that there is light on the trapeze, without light on the ground.<\/p>\n<p>Sound:<br \/>\nWe need a sound system, appropriate for the size of the audience, with four speakers to be controlled separately. We bring our own player (to connect by mini jack) and\u00a0two headset microphones (to connect by XLR).<\/p>\n<p>&gt;&gt; Infos \"Trilogy\" - PDF download<br \/>\n&gt;&gt; Infos \"Trapeze solo\" - PDF download<br \/>\n<a href=\"http:\/\/luftartistin.de\/en\/wp-content\/uploads\/sites\/2\/2018\/10\/technik-kafka-outdoor-en.pdf\">&gt;&gt; Technical rider \"Trilogy\" - PDF download<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>In theater behind the scenes one finds a different world: There are many challenges for the manager to master \u2013 not least that the stage hand has desperately fallen in love, and that the trapeze artist will not ever leave her trapeze&#8230; Anja Gessenhardt und Jana Korb are commited to circus theater \u2013 in zirka [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":21,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.6.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luftartistin.de\/en\/air-artist\/first-sorrow-circus-trilogy-kafka\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"zirka trollop - Circus Trilogy after Kafka - Luftartistin.de\/en\" \/>\n<meta property=\"og:description\" content=\"In theater behind the scenes one finds a different world: There are many challenges for the manager to master \u2013 not least that the stage hand has desperately fallen in love, and that the trapeze artist will not ever leave her trapeze... 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