{"id":197,"date":"2019-04-03T11:57:30","date_gmt":"2019-04-03T09:57:30","guid":{"rendered":"http:\/\/luftartistin.de\/en\/?page_id=197"},"modified":"2023-01-05T21:26:52","modified_gmt":"2023-01-05T20:26:52","slug":"ablebodiesandstones-artistic-research-about-bodies-and-circus","status":"publish","type":"page","link":"https:\/\/luftartistin.de\/en\/air-artist\/ablebodiesandstones-artistic-research-about-bodies-and-circus\/","title":{"rendered":"#AbleBodiesAndStones \u2013 aerial performance about bodies and circus"},"content":{"rendered":"<div id=\"pl-197\"  class=\"panel-layout\" ><div id=\"pg-197-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-197-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-197-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>With Emma Goldman I ask: How can I be part of your revolution, when I am too hurt to dance? How can I change the world, when I cannot be present?<br \/>\nAt the moment this \"I\" is hypothetic, a healthy feeling \"I\". But this \"I\" - as an agent of the art of risk, an agent of circus - is always creating with the knowledge that the situation might change any time.<br \/>\nSo, I am interested in bodies, situated between discipline and disability, between circus body and injured body, between adrenalin high and pain: I am looking for the discrepancy between the disciplined, functioning body of the aerial artist - over-achieving norms of health and fitness - and the reality that there is no such thing as a \"healthy\" body.<\/p>\n<p>Following the \"Sick Woman Theory\" by Johanna Hedva, who had their audience put stones in their shoes, I regard stones, pebbles and boulders as our main objects and props. We will play with them, animate them, manipulate them: in relation to our bodies, searching for contradictions and paradoxa, reversing the laws of nature and gravity. We continue until our awareness blurs, until the borders between our bodies and the stones disappear.<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h3>Artists + Production Team<\/h3>\n<p><strong>Idea, artistic research:<\/strong> Jana Korb<br \/>\n<strong>Artistic research:<\/strong> Jana Korb, Hoppe Hoppinsky, Stephanie N'Duhirahe<br \/>\n<strong>Artists research sessions:<\/strong> Carmen K\u00fcster, Flo* Strass, Benjamin Richter, Jennie Zimmermann, Hoppe Hoppinsky<br \/>\n<strong>Music:<\/strong> Roman D\u017ea\u010d\u00e1r<br \/>\n<strong>Critical companion:<\/strong> Melmun Bajarchuu<br \/>\n<strong>Outside Eyes:<\/strong> Stephanie NDuhirahe<br \/>\n<strong>Production:<\/strong> korb + stiefel GbR<\/p>\n<h3>Format and technique<\/h3>\n<p>Aerial performance with and on hanging, scattered, balancing stones, and on the trapeze with stones<br \/>\non free standing aerial rig<br \/>\nSolo ca. 50min<\/p>\n<p>optional followed with audience talk about the ability of bodies, body norms, circus etc.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-197-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-197-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_8476\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/DSCF0826-Kopie.jpeg\"><img aria-describedby=\"caption-attachment-8476\" loading=\"lazy\" class=\"wp-image-8476 size-medium\" src=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/DSCF0826-Kopie-300x225.jpeg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a><p id=\"caption-attachment-8476\" class=\"wp-caption-text\">#AbleBodiesAndStones, w.i.p. Ringkobing 2022, Foto: Tobias Stiefel<\/p><\/div>\n<div id=\"attachment_8479\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/890_07_Circusbiennale22_\u00a9tobiasstiefel.jpeg\"><img aria-describedby=\"caption-attachment-8479\" loading=\"lazy\" class=\"wp-image-8479 size-medium\" src=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/890_07_Circusbiennale22_\u00a9tobiasstiefel-300x225.jpeg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a><p id=\"caption-attachment-8479\" class=\"wp-caption-text\">#AbleBodiesAndStones, w.i.p. Berlin 2022, Foto: Tobias Stiefel<\/p><\/div>\n<div id=\"attachment_8482\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/915_07_Circusbiennale22_\u00a9tobiasstiefel.jpeg\"><img aria-describedby=\"caption-attachment-8482\" loading=\"lazy\" class=\"wp-image-8482 size-medium\" src=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/915_07_Circusbiennale22_\u00a9tobiasstiefel-300x225.jpeg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a><p id=\"caption-attachment-8482\" class=\"wp-caption-text\">#AbleBodiesAndStones, w.i.p. Berlin 2022, Foto: Tobias Stiefel<\/p><\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-197-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-197-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-197-1-0-0\" class=\"so-panel widget widget_sow-video panel-first-child panel-last-child\" data-index=\"2\" ><div class=\"so-widget-sow-video so-widget-sow-video-base\"><h3 class=\"widget-title\">Video-Trailer STONES (mit St\u00e9phanie NDuhirahe)<\/h3>\n<div class=\"sow-video-wrapper\">\n\t\t<iframe title=\"STONES \u2013 #AbleBodiesAndStones in dialogue with \u0160r\u00e1my \/ la d\u00e9battue\" src=\"https:\/\/player.vimeo.com\/video\/683772996?dnt=1&amp;app_id=122963&rel=0\" width=\"750\" height=\"563\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-197-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-197-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-197-2-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\"><h3 class=\"widget-title\">Research-Sessions Documentation Blog<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Once a month from February until April 2019, I invited two circus artists to join me in artistic research sessions, to work on different themes and issues. Each session was dedicated to one aspect: virtuosity, immediacy of the \"trick\" and the body, injury, materiality, etc.<\/p>\n<p>We continue to invite artists who create in the field of contemporary circus and who work on recent issues of the international discourse of circus. The results feed my artistic performance.<br \/>\nWe document the sessions and sporadically publish them here:<\/p>\n<p>1. Session, February 2019: <a href=\"http:\/\/luftartistin.de\/blog\/2019\/03\/22\/ablebodiesandstones-research-blog-session-1\/\" target=\"_blank\" rel=\"noopener\">with Carmen K\u00fcster and Flo* Strass<\/a><\/p>\n<p>2. Session, March 2019: <a href=\"http:\/\/luftartistin.de\/blog\/2019\/03\/23\/ablebodiesandstones-research-blog-session-2\/\" target=\"_blank\" rel=\"noopener\">with Hoppe Hoppinsky<\/a><\/p>\n<p>3. Session, March 2019: <a href=\"http:\/\/luftartistin.de\/blog\/2019\/04\/26\/ablebodiesandstones-research-blog-session-3\/\" target=\"_blank\" rel=\"noopener\">with Benjamin Richter<\/a><\/p>\n<p>4. Session, April 2019: <a href=\"https:\/\/luftartistin.de\/blog\/2019\/04\/28\/ablebodiesandstones-research-blog-session-4\/\" target=\"_blank\" rel=\"noopener\">with Stephanie N'Duhirahe<\/a><\/p>\n<p>5. Session, April 2019: with Melmun Bajarchuu<\/p>\n<p>April\/Mai 2020: <a href=\"https:\/\/luftartistin.de\/blog\/2020\/05\/16\/ablebodiesandstones-research-blog-2020\/\" target=\"_blank\" rel=\"noopener\">Corona Intermission<\/a><\/p>\n<p>6. Session, June 2020: with Anka Herbut, conversations about artistic practice, Performing Arts Festival Berlin<\/p>\n<p>7. Session, October 2020: <a href=\"https:\/\/luftartistin.de\/blog\/2020\/10\/23\/ablebodiesandstones-research-blog-residency-at-chamaeleon\/\" target=\"_blank\" rel=\"noopener\">with Jennie Zimmermann<\/a>, Residency at Cham\u00e4leon Theater<\/p>\n<p>8. Session, Januar 2021: <a href=\"https:\/\/luftartistin.de\/blog\/2021\/05\/07\/ablebodiesandstones-research-blog-residency-at-klub-mlejn\/\">with St\u00e9phanie N'Duhirahe<\/a>, Residency at Klub Mlejn, Praha<\/p>\n<p>9. Session, August 2021: with St\u00e9phanie N'Duhirahe, Residency at SE.S.TA, Centrum choreografick\u00e9ho rozvoje, \u017d\u010f\u00e1r nad S\u00e1zavou<\/p>\n<p>10. Session, Oktober 2021: with Melmun Bajarchuu<\/p>\n<p>Residency and rehearsals: with <a href=\"https:\/\/luftartistin.de\/blog\/2022\/02\/01\/ablebodiesandstones-research-blog-stones\/\">St\u00e9phanie N'Duhirahe<\/a>, LOFFT Theater, Leipzig<\/p>\n<p>STONES \u2013 <a href=\"https:\/\/luftartistin.de\/blog\/2022\/02\/01\/ablebodiesandstones-research-blog-stones\/\">Video-Impressions<\/a><\/p>\n<p>About our creative process \u2013 <a href=\"https:\/\/luftartistin.de\/blog\/2021\/11\/28\/podcast-ueber-unseren-kreativen-prozess-im-lofft-das-theater\/\">Podcast<\/a><\/p>\n<p>11. Session, November\/December 2022: within the laboratory #SCHREIBEN_F\u00dcR of Bundesverbands Theater im \u00d6ffentlichen Raum, with Christiane Wiegand, Lilli D\u00f6scher, Ella von der Haide, Theater R.A.B. and others, Freiburg<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-197-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-197-2-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_8473\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/DSCF0689-Kopie.jpeg\"><img aria-describedby=\"caption-attachment-8473\" loading=\"lazy\" class=\"wp-image-8473 size-medium\" src=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/DSCF0689-Kopie-300x225.jpeg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a><p id=\"caption-attachment-8473\" class=\"wp-caption-text\">#AbleBodiesAndStones, w.i.p. Ringkobing 2022, Foto: Tobias Stiefel<\/p><\/div>\n<div id=\"attachment_8470\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/DSCF0950.jpeg\"><img aria-describedby=\"caption-attachment-8470\" loading=\"lazy\" class=\"wp-image-8470 size-medium\" src=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/DSCF0950-300x225.jpeg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a><p id=\"caption-attachment-8470\" class=\"wp-caption-text\">#AbleBodiesAndStones, w.i.p. Ringkobing 2022, Foto: Tobias Stiefel<\/p><\/div>\n<div id=\"attachment_8480\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/906_07_Circusbiennale22_\u00a9tobiasstiefel.jpeg\"><img aria-describedby=\"caption-attachment-8480\" loading=\"lazy\" class=\"wp-image-8480 size-medium\" src=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/906_07_Circusbiennale22_\u00a9tobiasstiefel-300x225.jpeg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a><p id=\"caption-attachment-8480\" class=\"wp-caption-text\">#AbleBodiesAndStones, w.i.p. Berlin 2022, Foto: Tobias Stiefel<\/p><\/div>\n<div id=\"attachment_8481\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/913_07_Circusbiennale22_\u00a9tobiasstiefel.jpeg\"><img aria-describedby=\"caption-attachment-8481\" loading=\"lazy\" class=\"wp-image-8481 size-medium\" src=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/913_07_Circusbiennale22_\u00a9tobiasstiefel-300x225.jpeg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a><p id=\"caption-attachment-8481\" class=\"wp-caption-text\">#AbleBodiesAndStones, w.i.p. Berlin 2022, Foto: Tobias Stiefel<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-197-3\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-197-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-197-3-0-0\" class=\"so-panel widget widget_sow-video panel-first-child panel-last-child\" data-index=\"5\" ><div class=\"so-widget-sow-video so-widget-sow-video-base\"><h3 class=\"widget-title\">Video Performance Detail STONES<\/h3>\n<div class=\"sow-video-wrapper\">\n\t\t<iframe title=\"stones\" src=\"https:\/\/player.vimeo.com\/video\/670645217?dnt=1&amp;app_id=122963&rel=0\" width=\"750\" height=\"422\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\t<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-197-4\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-197-4-0\"  class=\"panel-grid-cell\" ><div id=\"panel-197-4-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"6\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span lang=\"de-DE\">Eine Produktion von korb + stiefel in K<\/span><span lang=\"de-DE\">oproduktion<\/span><span lang=\"de-DE\"> mit L<\/span><span lang=\"de-DE\">OFFT \u2013 <\/span><span lang=\"de-DE\">DAS THEATER und <\/span><span lang=\"de-DE\">in Kooperation mit<\/span><span lang=\"de-DE\"> Meta Theater Moosach. <\/span><\/p>\n<p><span lang=\"de-DE\">Gef\u00f6rdert <\/span><span lang=\"de-DE\">von der Stadt Leipzig \u2013 Kulturamt, dem <\/span>Fonds Darstellende K\u00fcnste aus Mitteln der Beauftragten der Bundesregierung f\u00fcr Kultur und Medien und dem Deutsch-Tschechischen Zukunftsfonds.<\/p>\n<p>Forschungsstipendien vom Stipendien Sonderprogramm des Berliner Senats und einem Residenz-Stipendium der Villa Waldberta, K\u00fcnstlerhaus der Stadt M\u00fcnchen, <span lang=\"de-DE\">Centrum choreograficke\u0301ho rozvoje SE.S.TA<\/span>, Zd\u00e1r nad S\u00e1zavou.<\/p>\n<p>Residenzen bei Cham\u00e4leon Theater Berlin, Klub Mlejn Praha, Circus Schatzinsel und Verein zur \u00dcberwindung der Schwerkraft Berlin, Villa Waldberta Feldafing, Instituto Entrando em Cena Bragan\u00e7a Paulista Sao Paulo, RC2 Teatro Escola Belo Horizonte Minas Gerais, Internationales Frauen* Theater Festival, Frankfurt.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/luftartistin.de\/wp-content\/uploads\/2019\/01\/FondsDaKu_Logo_sw.jpg\"><img loading=\"lazy\" class=\"wp-image-4554 size-medium alignleft\" src=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2019\/01\/FondsDaKu_Logo_sw-300x97.jpg\" alt=\"\" width=\"300\" height=\"97\" \/><\/a><\/p>\n<p><a href=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2021\/04\/logo-farbig-jpg-format.jpg\"><img loading=\"lazy\" class=\"size-medium wp-image-7391 alignright\" src=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2021\/04\/logo-farbig-jpg-format-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" \/><\/a><\/p>\n<p><a href=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/DAKU_Logokombi_hellgrau_01-scaled.jpg\"><img loading=\"lazy\" class=\"size-medium wp-image-8459 alignleft\" src=\"https:\/\/luftartistin.de\/wp-content\/uploads\/2023\/01\/DAKU_Logokombi_hellgrau_01-300x109.jpg\" alt=\"\" width=\"300\" height=\"109\" \/><\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>With Emma Goldman I ask: How can I be part of your revolution, when I am too hurt to dance? How can I change the world, when I cannot be present? At the moment this &#8220;I&#8221; is hypothetic, a healthy feeling &#8220;I&#8221;. But this &#8220;I&#8221; &#8211; as an agent of the art of risk, an [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":21,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.6.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luftartistin.de\/en\/air-artist\/ablebodiesandstones-artistic-research-about-bodies-and-circus\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"#AbleBodiesAndStones \u2013 aerial performance about bodies and circus - Luftartistin.de\/en\" \/>\n<meta property=\"og:description\" content=\"With Emma Goldman I ask: How can I be part of your revolution, when I am too hurt to dance? 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